In an article in the November 1995 Art in America, Holland Cotter describe's Mondrian's art as a calculus of exquisitely poised visual weights and measures.

A calculus of exquisitely poised visual weights and measures.

Really, I don't know what calculus is, but could not music be conceived as a calculus of exquisitely poised aural weights and measures?

Mondrian believed that that sensual balance had the potential to level social hierarchies, to turn discord into harmony, and to make of life a seamless esthetic experience "pure and complete in its beauty."

Cagean resonance to the statement. Feldman comes to mind for the music.

Cotter continues that Mondrian was also prepared for the world not to see things his way. "Humanity is not served by making art comprehensible to everybody. In art the search for a content which is collectively understandable is false." [Mondrian, 1937]