SUMMARY OF PROFESSIONAL ACTIVITIES
DEPARTMENT OF ART
Review of Fredrika H. Jacobs. The Living Image in Renaissance Art,
Renaissance Quarterly, 59 (summer, 2006), 499-500.
Review of David Alan Brown and Jane van Nimmen, Raphael and the Beautiful Barker: The Story of the Bindo Altouti Portrait and The Life of Raphael by Giorgio Vasari, introduction by Jill Burke, in Sixteenth Century Journal, 37 (Winter, 2006), 1230-1232.
Co-commentary on Criterion DVD of Fellini’s Amarcord (released Fall 2006).
Interviewed by Graphic Designer and Design Critic, Jason Tselentis for his article,
“Nissan and the Black Experience” for Speak Up, an online design journal.
Three digital prints on display at the Faculty Exhibition
Transmission: Biosyntactic Infometrics, a Gallery show with Jason Tselentis at the
Rowe Gallery in UNCC
September 2006, I had a Solo Exhibition/A Partial Retrospective of my prints: etchings, engravings, lithographs, monotypes, and mixed media works at Hawthorne Gallery.
November/December 2006, I had a Solo Exhibition of my prints (intaglios, lithographs, monotypes, plaster-casts) titled “The Accompaniment” in the Caton Merchant Family Gallery at The Center for the Arts in Manassas, Virginia.
With my exhibition titled “The
Accompaniment” at the center for the Arts, I was the featured artist for the
“November Gallery Walk” in
I gave a public lecture of the
subject of my prints at the Center for the Arts in
I participated in the Wake Forest University Art Department Faculty and Staff Exhibition which ran from November through January.
My work was included in the January
exhibition: “Artists Invite Artists” held at the Art Works gallery in
At the invitation of the Hal Katzen
My prints are included in the June
print exhibition at Hawthorne Gallery along with the prints of Scott Betz from
“Outdoor Sculpture Exhibit,”
“Pitch, Yaw, Roll,” D’Art Center,
“Micromonumentals” 5ive and 40ty Gallery,
Hallberg, Leigh Ann
“Invitational Exhibition,” Art Works Gallery,
Patterson, “Let Us Show Your Work,”
Patterson, “Exhibit Pictures Diversity,”
2007, “Surfaces”, Milton Rhodes Gallery, Arts Council Group Show,
2007, “Selections from the Faculty and Staff, WFU Art
2007, “Natural Forces”, One-person show, Hawthorne Gallery,
2006, “Transparency”, two-person show, Artworks Gallery,
2006, “Blurring Racial Barriers IV”,
2006, “Reflections on a Legacy: Vitreographs from
Traditional Home Magazine, May 2007: Seven page article on my work as an artist by Doris Athineos, Senior Arts and Antiques Editor.
“Deliberate Interference,” Winthrop University Galleries,
“Art Department Faculty Exhibition,” Hanes Gallery,
“Art in an Age of National Expansion: Genre and Landscape
Painting,” in Art in
INVITED LECTURES (not given at professional association meetings):
Two-week lecture tour of Chinese universities and art schools for the U.S. Department of State, Bureau of Educational and Cultural Affairs (May 2007).
“Art, War, and Propaganda in
“George Hersey’s Ruskin Seminar at
“About Face: WWI, Plastic Surgery, and the American Beauty Revolution,” New York Institute for the Humanities (March 2007).
“The Hand of War on American Visual
“Battling Images: The Visual Culture of World War I,” co-sponsored by the English Department, Department of the History of Art, and the Visual Culture Workshop, University of Michigan, Ann Arbor (January 2007).
“Black, White, and Bronze:
Saint-Gaudens’ Monument to Shaw and the 54th
“Art for War’s Sake,” given as the inaugural lecture for the newly endowed Terra Foundation Lecture in American Art, Chicago Humanities Festival
“Morning in America: Childe Hassam’s Flag Painting and the First World War,” for “America Comes of Age,” 75th Anniversary Symposium at the Addison Gallery of American Art, the Phillips Academy, Andover, Massachusetts (November 2006).
“War Relief: The Shaw Memorial on
“LIFE after Death: Art,
Photography, and the Visual Culture of the Kennedy Assassination,” Georgia
“Reproductions in Theory: Sixteenth Century Critical Response to
Printed Images,” paper as Sixteenth Century Studies Conference,
“Luchino Visconti as (anti-)
Realist: The Case of La Terra Trema,”
presented in Dec. 2006, at an Italian Studies conference at the
Lecture on Rossellini’s La
Macchina Ammazzacattivi, Cinematheque
Informal remarks, Duke University Film Studies Group, Feb. 2007
Presented a journal talk and
publication session for Taboo: The Journal of Culture and Education at
the American Educational Research Association in
Panelist, “Deliberate Interference,”
“Mountain Modernism,” Presentation at SESAH (Southeastern
Society of Architectural Historians) Annual Meeting,
“The Good Life: The Image of Downhill Skiing in American
Popular Culture,” Presentation at the 2007 PCA/ACA (Popular Culture Association/American
Culture Association) National Conference,
Editorial Board for Sixteenth Century Journal
Developed new exam questions (40 hours)
Revised text of Study Guide: Art of the Western World for 3rd edition, College Network. (10 hours)
Editorial Board, Cinema Journal
Staff editor for Taboo: The Journal of Culture and Education
Bellagio Foundation, evaluation of
proposal for a research meeting concerning the Abbvey at
Guggenheim Foundation, proposal evaluation
NEH, proposal referee.
Conseil scientifique de la cathedrale d’Auxerre, meets twice annually.
Civil Rights Commemorative Sculpture
United Arts Council of
Funded; amount being negotiated
NC Artist Fellowship
NC Arts Council
Jon Reinhardt Award for Distinguished Teaching
Smith Young Family Research Fellow