DEPARTMENT OF MUSIC
SUMMARY OF PROFESSIONAL ACTIVITIES
I. Publications, Performances, Exhibits
III. Editorships, Offices, and
Consultancies
I. Publications, Performances, Exhibits
Borwick, Susan
“Reclaiming Gender in Modernist Music,” in a
special issue on feminism and modernism edited by Margaret McFadden, the National Women’s Studies Association Journal
15/3 (Fall 2003):189-196.
Interviewee of J. Cameron Tew,
“After 30 Years, Boss Can Still Rock: Springsteen Draws Old Fans, Creates New
Followers,” in [
Premieres:
God’s Man in
“Thou Art There!” Psalm 139, for SATB/keyboard,
performed at Knollwood Baptist Church, March 21,
2004; for SATB/flute/violin/harp/’cello, performed at Knollwood
Baptist Church, May 2, 2004; also arranged for solo voice/keyboard and
solo/oboe/horn/harp/’cello.
“Mary’s Song: A Song that Never Ends,” for voice, obligato, and keyboard, text by Jill Crainshaw
and Sheila Hunter, performed at the WFU Divinity School Advent Festival of Lessons and Carols, Wait Chapel, Dec. 2, 2003.
“I Saw Three Ships,” for SATB
choir, 2 handbell choirs, handchime
choir, triangle, organ chimes, orchestral bells, 2 glockenspiels, and Orff instruments, performed at And All the Bells on Earth Shall Ring, Knollwood
Baptist Church, Dec. 7, 2003.
Bowen, Charles K.
Contributing
Research Associate, Teaching Music Through Performing
Numerous
performances with the following WFU music ensembles:
Marching Band
Wind Ensemble
Symphonic Band
Commencement Brass Ensemble (serve
as ensemble coordinator)
Individual
Performances with Piedmont Wind Symphony and
Carrasco, Jacqueline
Violinist
in the
Children’s concert and
evening concert. Summer Music in Blowing Rock Chamber
Music Festival, Blowing Rock, NC.
Milonga/performance
sponsored by the town of Carrboro and Tangophilia.
Guest
artist, Foothills Music Festival
Concert.
Reynolda House,
Benefit concert. Private
home,
Carrasco, Jacqueline - continued
Featured
performer in the Jacqui Carrasco Jazz Quartet
Speakeasy Jazz Club,
Guest
Artist, Chamber Music at St. Peter’s
Sunday Serenades
series concert. McColl-Shiraz Gallery,
Sunday Serenades
series concert. Private home,
First Tuesday series
concerts. St. Peter’s Church, Charlotte.
AfterWork series concerts. St. Peter’s Church.
Performer in “The Unheard Beethoven,” faculty chamber
music recital.
Brendle Recital Hall, WFU.
Carter, Stewart
Faculty concert, Mideast Recorder Workshop,
Directed and performed in Collegium Musicum concert,
Dixon, Patricia
Publication of a Compact Disc of the Music of Jeffrey
Van. Released
Web Publication, review of the 20th
Anniversary of the Classical Guitar Workshop at the University of Cincinnati
College- Conservatory or Music.
http://www.guitarramagazine.com/reviews/ August, 2003
July 24 through Aug 3-Guest Artist at the 20th
Anniversary of the
April 15,
04- Duo Recital with guest artist Jeffrey Van. Brendle Recital
Hall, WFU.
April 21, 04- Duo Recital with guest artist Jeffrey
Van. Ultan Recital Hall, the
Goldstein, Louis
Solo
Recital, Salemtowne Moravian Home,
Performance
at
Solo
Faculty Recital,
Guest
Artist at the
Seminar with composition students,
Solo Recital,
Gorelick, Brian
Music
of Jeffrey Van, Centaur Records CRC 2687, featuring Wake Forest Concert Choir,
Brian Gorelick, Conductor, performing A Sprig of Rosemary
and A Procession Winding Around Me, CD National
Release,
Moravian Lovefeast, Wait
Chapel,
Founders' Day Convocation, Wait Chapel,
University Orchestra Concert, Brendle Recital Hall,
Baccalaureate, Wait Chapel,
Hagy, David
Conducted:
March 2, 2004;
Wake
Forest Theater Production:
November 9, 2003;
February 29, 2004;
May 1, 2004;
Catawba
College Theater Production:
Sang
and Acted:
Heard, Richard
Heard, Richard - continued
Kairoff, Peter
Recital
with violinist Kevin Lawrence of NCSA:
Music of Faure, Cowell,
Bolcom, Foote.
Brendle Hall, WFU,
Harpsichordist for opera Dido and Aeneas. WFU, October 24 and 25, 2003.
Recital with Violinist Kevin Lawrence;
Same program as above,
Same program as above,
Same program as above,
All-Beethoven chamber music program, WFU. Played piano and fortepiano.
Harpsichord solo recital, Augsburg Lutheran church,
Lecture-Recital,
Same
Program as above,
Levy, David
Book: Beethoven:
The Ninth Symphony, revised edition, (“Yale Music Masterworks Series,” Yale
University Press, December 2003)
Program
Notes:
Participant:
WFU Orchestra Annual Halloween Concert skit
Violinist:
Messiah Moravian Church Christmas Eve Lovefeast
Services
Lecturer
and Performer (violinist): “The Unheard Beethoven”, Brendle
Recital Hall,
Levy, Kathryn
Piccolo
player for the Chautuaqua Symphony season,
Principal
Flute for the
Co-ordinated and performed in “The Unheard Beethoven” concert , a faculty collaborative concert on
Charlotte
Symphony Classical Concerts on 1/7 and
Greensboro
Symphony Classical concerts on 4/1 and
Locklair, Dan
Recent music publications of LOCKLAIR works:
DATE OF RELEASE TITLE Publisher
Autumn 2003 The Five Senses A
Suite for Piano in Five Movements) Subito/Presser
January 2004 O
Sing to the Lord a New Song (Psalm 96) Subito/Presser
(for SATB chorus and piano)
January 2004 From East to West Subito/Presser
(for SATB chorus and organ)
January 2004 Sonata
for Piano Subito/Presser
January 2004 Six
Interval Inventions (for piano) Subito/Presser
January 2004 The
Boswell Songs (for soprano and piano) Subito/Presser
January 2004 Nursery
Problems (for solo soprano) Subito/Presser
January 2004 Spring
Thunder (for soprano and flute) Subito/Presser
January 2004 two
soprano songs (for soprano and piano) Subito/Presser
January 2004 Portraits
(for soprano and piano) Subito/Presser
March 2004 Salem
Sonata (Four movement sonata for organ) Subito/Presser
March 2004 In Mystery and Wonder (Two movement
solo organ work) Subito/Presser
April 2004 Bright as Lightening :
The Hymns of Dan Locklair Zimbel/Subito
Recent recordings of LOCKLAIR works:
DATE OF RELEASE TITLE CO-WRITER(S) LABEL ARTIST
May 2003 A Spiritual Pair (Diptych for Organ) Priory
(UK) CD Margaret Chen, organ
May 2003 Pater Noster (Motet
for SATB chorus) Priory (UK)
CD The Choir
of the Abbey
School
Recent recordings of LOCKLAIR works – continued:
February 2004 In
the Almost Evening Elmgrove CD Janeanne
(Nocturne
for Soprano, Clarinet and Piano) Robert
Jogensen, piano Craig Rine,
Clarinet
April 2004 Create in Me a
Clean Heart Arsis (
and Pater Noster of
Wynkoop, conductor)
1. WORLD PREMIERES
Celebration (Variations for Organ)
N.B. Celebration
was commissioned by First Presbyterian Church in honor of Mr. Murphy’s
twentieth year as the Church’s Organist and Director of Music.
Ubi Caritas for unison voices and organ;
From East to West
(A Christmas Anthem for SATB chorus and organ)
N.B. From East to West was the result of a commission from The Indianapolis Symphonic Choir and the Lilly Endowment.
The Five Senses (A Suite for Piano in Five Movements)
MTNA (Music Teachers National Association)
N.B. The Five Senses was the result of a commission from the
MTNA.
O Sing to the Lord a New Song [Psalm 96]
(Anthem for SATB chorus and piano)
Wake Forest University
Concert Choir (Brian Gorelick, conductor); Brendle Recital Hall,
N.B. O Sing to
the Lord a New Song (Psalm 96) was the result
of a commission from Drs. Mary Ann and Gerald Taylor in honor of recently
retired
Old
Salem, Inc.;
N.B. Salem Sonata was
commissioned by Old
2.
Symphony of Seasons (Symphony No.
1) 26
&
Locklair, Dan –
continued
3. Selected RECENT known PERFORMANCES of LOCKLAIR compositions:
(N.B. With published compositions, the
below is but a sampling as I do not know the majority of performances that my
works receive. Performances of several works listed below only became known to
me after last year's report and are, thus, included here.)
Credo
Beinecke Rare Book and Manuscript Library;
9 May 2004; The St. Thomas Choir of Men and Boys (Gerre Hancock, Organist/Master of the Choristers); St. Thomas Church Fifth Avenue; New York City
O Sing to the Lord a New Song (Psalm 96)
(Anthem for SATB choir and piano)
Magnificat and Nunc Dimittis (Montréal) (for SATB chorus and organ)
6 May 2003;
9
May 2004;
25
May 2003; Spectrum Brass and Margaret Mueller (organ);
Rubrics (A Liturgical Suite for
Organ in five movements) [N.B. Rubrics is now such
a solid repertoire piece that it is impossible to know even a small number of the
performances of it world-wide. The listing below is but a sampling.]
25
May 2003; David Beatty, organ; The Swarthmore Presbyterian Church;
3. Selected RECENT known
PERFORMANCES of LOCKLAIR compositions, continued
Rubrics, continued
Soy Miquel González, organist:
26 de julio
de 2003, Saint Rèmy-en-Provence
(France)
2
de agosto de 2003, Landsberg (Germany)
22 de
octubre de 2003, Barcelona-catedral (Spain)
Windows of Comfort (Two Organbooks) [N.B. Windows
of Comfort, like Rubrics, is now
such a solid repertoire piece that it is impossible to know even a small number
of the performances of it world-wide. The listing below is but a sampling.]
O Sacrum Convivium
(Motet for SATB chorus, a cappella)
Shepherds Rejoice (A two-movement SATB choral cycle a cappella)
Already in its second printing,
this two-movement cycle was widely performed throughout the
Three Christmas Motets (for SATB chorus, divisi)
Bel Canto Company (David Pegg,
Artistic Director); 5,6,
Bel Canto Company (David Pegg,
Artistic Director);
Pater Noster (Motet for SATB chorus, a cappella)
3. Selected RECENT known
PERFORMANCES of LOCKLAIR compositions, continued
Pater Noster, continued
A Spiritual Pair (Diptych for
Organ)
Constellations (A Concerto for
Organ and Percussion)
6
April 2003; Donald Sutherland, organ; Robert Novak and Svetoslav
Stoyanov, percussion; Peabody Conservatory of Music; Griswold
Hall; Baltimore, MD
A DuBose
Heyward Triptych (for SSAATTBB chorus, a cappella)
16
May 2004; South Carolina Symphonic Chorus (Timothy Koch, conductor);
The Æolian Sonata (for organ)
The Lone, Wild Bird (for unison chorus and organ)
Jubilo (for organ)
From East to West (for SATB choir and organ)
Radomski, Teresa
Compact Disc Recordings:
Bach and Handel: Baroque Masters; Arias from Serse and Rinaldo (Handel); Arias fromCantatas by Handel
and Bach. With Carolina Baroque period instrument ensemble; CB-110,
White Sound Studio,
Bach:
Music to Challenge the Intellect and Touch the Heart; Cantata #21 “Ich hatte viel Bekümmernis in meinem Herzen”;
Cantata # 182 “Himmelskönig, sei
willkommen”. With
Carolina Baroque period instrument ensemble; CB-112, White Sound Studio,
Radomski, Teresa – continued
Compact Disc Recordings,
continued
Telemann and His Friends:
Bach and Handel; Two Solo Cantatas for Soprano and instruments (Telemann); Arias from Almira and Giulio Cesare in Egitto (Handel). With
Carolina Baroque period instrument ensemble; CB-116, White Sound Studio,
Handel and
His Peers; Aria from Rinaldo (Handel); Arias from Cantata #206 and Mass in A
major (Bach).
With Carolina Baroque period
instrument ensemble; CB-117, White Sound Studio,
Soprano Soloist:
Motet “Jesu,
meine Freude”, “Ascension
Cantata” (Bach). Abendmusik Baroque
Festival;
Song Recital: Music of Haydn, Schubert, Mozart, Poulenc, Barber, Spirituals. With
Thomas Turnbull, piano;
Abendmusik Concert
Series; First Presbyterian Church;
Song Recital: Music of Haydn, Schubert, Mozart, Poulenc, Barber, Spirituals. With
Thomas Turnbull, piano;
Friends of Music at Emmanuel 2003-2004 Series;
Concert: Telemann and His Friends; Two Solo Cantatas for
Soprano and instruments (Telemann);
Arias from Almira and Giulio Cesare in Egitto (Handel). With
Song Recital: Music of Haydn, Schubert, Mozart, Poulenc, Barber, Spirituals. With
Thomas Turnbull, piano;
Music at Cherry Hill; Cherry Hill Historical Foundation;
Soprano Soloist:
Gloria (Vivaldi) Messiah, Part I (Handel). Abendmusik Concert
Series: Christmas Choral Extravaganza;
Concert: Handel and His Peers; Arias from Rinaldo (Handel),
Cantata #206 and Mass in A major (Bach).
With Carolina Baroque Period
Instrument Ensemble;
Concert: The Unheard Beethoven; Solo songs and
duets with chamber ensemble.
Brendle Recital Hall; WFU;
Concert: Music for Two Sopranos &Chamber Music by
Handel; Italian duets, Cantata Aminta e Fillide.
With soprano Marilyn Taylor
and Carolina Baroque Period Instrument Ensemble;
Concert: Music for Two Sopranos &Chamber Music by
Handel; Italian duets, Cantata Aminta e Fillide.
With soprano Marilyn Taylor
and Carolina Baroque Period Instrument Ensemble; Brendle
Recital Hall; WFU;
Soprano Soloist:
Messiah, Part II (Handel). With
the Piedmont Choral Society and Orchestra;
St. James Lutheran Church;
Borwick, Susan
“‘And
the World Has Changed’: The Progressive Mrs. Beach” read at the annual meeting
of the American Musicological Society (
The NWSA Contemporary Curriculum Transformation
Project: The Transforming Significance of Women of Color to Women's Studies
Curricula-- Facing and Overcoming Our Fears, session coordinator and steering committee chair, annual conference
of the National Women’s Studies Association (Milwaukee, Wisconsin, 18-20 June
2004):
Session 1: "A
nuanced overview of curricular issues,"
Session 2: "Course
integration: Work groups,"
Session 3:
"Demonstrating the classroom transformed,"
“New Program Directors: Leaders & Managers,”
session organizer at the Program Administration & Development preconference, NWSA (
Carrasco, Jacqueline
Guest
soloist for Brandenburg Concerti Readings at the annual meeting of the North
Carolina Chapter of the American String Teachers Association, UNC-Chapel Hill,
Guest
performer for the String New Music Reading Session at the annual conference of
the International Association for Jazz Education,
Carter, Stewart
“Nicks,
Kerfs, and Joints: The Story of the Cornett, 1750-1850, in Documents and
Surviving Instruments.” Joint meeting of the Galpin Society and American Musical Instrument Society,
Kairoff, Peter
International
Society for Eighteenth Century Studies, UCLA,
Paper:
“Musical Depiction of character in Mozart’s Don Giovanni”,
North
Carolina Music Teachers’ Association (NCMTA) annual meeting, Raleigh: Judge for the Young Artist competition,
Levy, David
Paper: “Notation and Meaning in op. 133”,
Spring Meeting of the Southeast Chapter of the American Musicological Society,
Chapel Hill, NC, February 14, 2004
Guest Lecture: “Notation and Meaning in op. 133”, UNC-Greensboro
School of Music, Greensboro, NC, March 3, 2004
Guest
Lecture: “Analytical Perspectives on
Beethoven’s Ninth Symphony”,
Locklair, Dan
Lecture
: Music Teacher's National Association (MTNA) Convention,
III.
Editorships,
Offices, and Consultancies
Borwick, Susan
Reader in music for the National
Women’s Studies Association Journal.
Member, Program Administration and Development Council,
National Women’s Studies Association, 2000-present.
Chair,
Leadership and Mentoring Committee, Program Administration and Development
Council, National Women’s Studies Association, 2000-present.
Chair, Steering Committee, The Contemporary Curriculum Transformation Project, National
Women’s Studies Association.
Organizer and overseer, The NWSA PA&D Council
Mentoring Project, 2003-2004.
Carter, Stewart
Executive Editor, Historic Brass Society Journal
General Editor, Bucina: The Historic Brass Society Series
Member of Editorial Board, Journal of Seventeenth-Century Music (online
journal)
Member of Editorial Board, Journal of the American Musical Instrument
Society
Member, Board of Governors,
American Musical Instrument Society
Member, Board of Directors,
Historic Brass Society
Member, Research Committee,
International Trombone Association
Hagy, David
Assisted
Music Department in defining appropriate qualifications of orchestra conductor
to be hired and in writing an Announcement of Job Opening to attract candidates
who were a good match and who would accept the position
Levy, David
Advisory Board: American Beethoven Society
Winston-Salem
Symphony Music Director Search Committee (estimated 30 hours)
Program
Advisory Committee:
Secrest
Artists Series Advisory Committee (3 hours)
Locklair, Dan
Consultant
to Old Salem, Inc. for Tannenberg Organ project,
completed March 2004
Producer
of Raven CD, The Old
Radomski, Teresa
Patients
referred to me for therapeutic voice/singing training