PROFESSIONAL
ACTIVITIES REPORT
I. Publications,
Performances, Exhibits
III. Editorships,
Offices, and Consultancies
I. Publications,
Performances, Exhibits
Borwick,
Susan
Review:
Musical Women in
Amy Beach, Passionate
Victorian: The Life and Work of an American Composer, 1867-1944 by Adrienne Fried Block
Ruth Crawford Seeger: A
Composer’s Search for American Music by Judith Tick, in National Women’s Studies Association Journal 13/2 (Summer
2001):161-166.
Accompanist: The Winston-Salem Children’s Chorus,
Percussionist: The Winston-Salem Children’s Chorus,
Opening of the Brenner’s Children’s
Pianist & Musical Arranger: The Baptist Women in
Ministry of North Carolina Annual Convocation,
Composer & accompanist: “Praise the Lord!”
choral anthem, June 2002
Commissioned composer, keyboardist, and musical
director: “Me ‘n’ Em’,” May 31, 2002
Numerous solo piano, choral conducting, and
accompanying appearances,
Contributing Research Associate, Teaching Music Through Performance in
Band,Vol 4. GIA Publications, Summer
2002
Numerous performances with the following WFU music
ensembles:
Marching
Band
Wind
Ensemble
Symphonic
Band
Commencement Brass Ensemble
(serve as ensemble coordinator)
Individual Performances with Piedmont Wind Symphony
and
CD: Tavener: To a Child Dancing in the Wind &
Birtwistle: Entr'Actes and Sappho Fragments. With Heidi Grant-Murphy and
the Auréole Trio. Koch International Classics. Released
Guest artist, Foothills Chamber Music Festival.
Children’s
Concert. Reynolda House,
Concert.
Shirley Recital Hall,
Concert.
Reynolda House,
Concert.
Reynolda House,
Violinist, Cygnus Ensemble.
Presentation
to Composers’ Class,
Solo recital. Brendle Recital Hall,
Violinist, Furious Band.
Concerts, Cuarto Festival Internacional Música y Escena, Centro Hellenico,
Mexico City.
November 14-15, 2001.
Concert.
Teatro Bellas Artes, Mexico City. November
17, 2001.
Cygnus Ensemble.
Recording
session of compositions by CUNY PhD students. Elebash Recital Hall, CUNY
Graduate
Center,
New York City. December 13, 2001.
Season
concert. Merkin Concert Hall, New York City. December 16, 2001.
Guest Artist, Chamber Music at St. Peter’s.
Sunday
Serenades series concert. Private home, Charlotte. February 3, 2002.
Noon
Concert series concert. St. Peter’s Church, Charlotte. February 5, 2002.
Cygnus Ensemble season concert. Elebash Recital
Hall, CUNY Graduate Center, New York City.
February
19, 2002.
String quartet concerts with the McIver Trio.
Brendle
Recital Hall, Wake Forest University. March 1, 2002.
Private
home, Greensboro. March 3, 2002.
Recital
Hall, UNC Greensboro, March 4, 2002.
Soloist, Wake Forest University Jazz Ensemble
Concert. Brendle Recital Hall, WFU. April 18, 2002.
Cygnus Ensemble season concert. Ethical Cultural
Society, New York City. April 29, 2002.
"Isabella Leonarda: La Musa Novarese.” Embellishments no. 16 (Spring 2002): 1-2.
“The Gütter Family: Musical
Instrument Makers and Dealers to the Moravian Brethren in America.” Journal of the
American Musical Instrument Society 27 (2001): 48-83.
Faculty
member, Mideast Recorder Workshop, Pittsburgh, PA, July 2001
Co-director
and local-arrangements chair, 17th Early Brass Festival,
Winston-Salem, June-July 2001
Faculty
member, International Double-Reed Rally, Storrs, CT, July 2001.
Faculty
member, Amherst Early Music Festival/Institute, Storrs, CT, July-August 2001
.
Co-director,
concert: “The Triumphs of Maximilian,” Wake Forest Collegium Musicum, November
2001.
Guest
performer with Duke Early Music Ensemble, March 2002.
Faculty
member, Triangle Recorder Society Workshop, April 2002.
Co-director,
concert: “This Scepter’d Isle: Music of Renaissance England,” April 2002.
May 26-2001- Chamber Music Concert for the Minnesota
Guitar Society, St’ Paul Minnesota.
September 20 through 24, 2001- Residency at Albright
College, Reading, PA. Three Lectures on
South American Music, and a Solo Performance.
October 26, 2001 - Fall Choral Concert at Wake
Forest University. Duo performance, with Jeffrey Van.
March 8, 2002 – Premiered a commissioned piece,
“Concerto for Two Guitars and Chamber Orchestra” by Jeffrey Van, with the
Carolina Chamber Symphony. Brendle Hall, Wake Forest University
Violin and Piano Recital (“Eastern Influences: Music of Claude Debussy, John Cage and Lou Harrison”), October 11, 2001, Brendle Recital Hall (with Jacqui Carrasco).
Participant, Department of
Music tribute to Samuel Adler, piano soloist and accompanist, Feb. 7, 2002,
Wait Chapel.
“Sonatas and Interludes”
by John Cage – a public performance for the Piano Literature class, April 18,
2002, M305.
“Planning The Perfect Choral Rehearsal,” in Music Educators Journal, Publication of the Music Educators National Conference, Volume 88, Number 3, November 2001, pp. 28-33.
Wake Forest Concert Choir Additional Performances:
Opening Convocation, Wait
Chapel, 9-13-01
Moravian Lovefeast, Wait
Chapel, 12-2-01
Baccalaureate, Wait
Chapel, 5-19-02
Wake Forest Collegium Musicum Vocal Ensemble
Additional Performances:
Samuel Adler Concert,
Wait Chapel, 2-7-02
Conductor, Salisbury
Symphony Orchestra, 10/6 “Elegant Artistry,” Olesiy Koltakov, pianist
Co-Music
Director/Keyboardist, Catawba College Production, 10/23-27, “Godspell”
Conductor, Wake Forest
University Orchestra, 10/31, Halloween Concert
Conductor, Wake Forest
University Orchestra, 11/29, Masterpieces Concert
Rehearsal
Conductor/Violinist, Wake Forest Orchestra/Concert Choir/Chorale, 12/6, Bach’s
“Magnificat”
Conductor, Members of
Salisbury Symphony Orchestra, 1/5, “Big Band Bash”
Conductor, Salisbury
Symphony Orchestra, 1/19, “Masterpieces/20th Century,” Derek Bermel,
clarinetist
Co-Music Director, Catawba
College Production, 2/26-3/2, “The Triumph of Love”
Conductor, Salisbury
Symphony Orchestra, 3/3, “Flying!” A Family Concert
Conductor,
Music Director, Wake
Forest University Theater Production, 4/12-13, 17-21, “Secret Garden”
Conductor, Wake Forest
University Orchestra, 5/1, “Festivity and Remembrance”
Conductor, Salisbury
Symphony Orchestra, 5/4, “A Richard Rodgers Celebration”
Co-Music
Director/Performer, Piedmont Players Production, 6/4-9, 12-15, “Candide”
September 9, 2001-Recital: Parkway United Church of
Christ: Winston-Salem, NC
November 3, 2001-Wake Forest University: Bellini 200th
Birthday Bash
November 18, 2001-Recital: Memorial Drive United
Methodist Church: Houston, TX
December 2, 2001-Greensboro Oratorio Society:
Messiah
December 9, 2001-Savannah Symphony Orchestra:
Messiah
December 13-21, 2001-Concert Tour in Germany with
Spiritual Voices Ensemble: Dallas, TX
January 21, 2002-Recital: High Point University:
High Point, NC
February 6, 2002- Recital/Masterclass: University of
Arkansas: Fayetteville, AR
February 24, 2002-Acis and Galatea: Carolina Baroque
Orchestra
February 28, 2002-Wake Forest University: Acis and
Galatea
March 11, 2002-Roanoke Symphony Orchestra: Mozart
Requiem
April 21-23, 2002-Winston Salem Symphony: Mozart
Mass in C Minor
April 28, 2002-Carolina Baroque
Orchestra: Bach Aria Concert
April 30, 2002- Beethoven Ninth Symphony: Southern
Methodist University: Dallas, TX
May 5, 2002-Recital: First Baptist Church: Garland,
TX
CD sound recording, “Music From Venice”. Live recording with the orchestra of the
Accademia di San Rocco, Venice.
Harpsichord Soloist,
Secrest Artist Series, WFU, with the Orchestra of the Accademia di San Rocco,
Venice.
Sept. 7, 2001
Lecture/Recital: “Music and Art”. Reynolda House Museum or American Art, Sept. 14, 2001
Pre-Concert lecture,
Secrest Artist Series, Arcadi Volodos piano rectial, Oct. 25, 2001
All-Bellini recital, with
T. Radomski, R. Heard, others. WFU, Nov.
3, 2001
Piano Recital with
commentary, “Impressionism in Music”, Reynolda House, Nov. 30, 2001
Harpsichordist for Bach
“Magnificat”, WFU, Dec. 6, 2001
Harpsichord Solo Recital,
Piedmont Artists Series, High Point, NC.
Feb. 24, 2002
Pre-concert lectures, “The
Barber of Seville”, for the Piedmont Opera Theatre, April 12, 14 and 16, 2002.
Solo piano recital,
Quartarezzo, Italy May 31, 2002
Program Notes: Winston-Salem Symphony, 2001-02
season
Violin soloist: Messiah Moravian Church Christmas Lovefeast (December 24, 2001)
Violinist: Good Friday and
Easter Services, King Moravian Church, King, NC (March 29 & 31, 2002)
June 30, 2001 – August 23, 2002: Piccolo and Flute
in the Chautauqua Symphony, Chautauqua, NY.
September 2001 – June 2002: Principal Flute in the Winston-Salem Symphony
September 21 & 22, 2001: Flute and Piccolo, Charlotte Symphony
Orchestra Classical Concert, Charlotte, NC
September 23, 2002: Locklair Plays Locklair Recital
in Wait Chapel. Sonata da Chiesa for Flute and Organ.
November 11, 2002: Flute Fest
2001. Produced,
directed and performed.
January 7, 2002: Hanes Middle School workshop for
student flutists.
January 19, 2002: Adjudicator for the Student
Auditions of the NC Federation of Music Clubs, Crawford Hall, NCSA.
January 22, 2002: OPUS 5 Concert (the WFU Faculty
Woodwind Quintet), Brendle Recital Hall; Premiere of Debussy String Quartet arranged for Opus 5 by
Mark Popkin.
February
23, 2002: 25th Anniversary Christopher Giles and Lucille S. Harris
Competitions in Musical Performance, director,
Brendle Recital Hall.
March
8, 2002: Piccolo in Carolina Chamber Symphony Concert, Brendle Recital Hall.
March
13 & 14, 2002: Piccolo and Flute in Greensboro Symphony Orchestra
Educational Concerts, Greensboro Coliseum.
March
22 & 23, 2002: Flute in Charlotte Symphony Orchestra All Wagner Concert, Charlotte, NC.
April
13, 2002: Adjudicator for the NCSA Community Music Honors Recital, Steven’s
Center.
April
16, 2002: Melange Chamber Concert, Davis Chapel, NC Baptist Hospital, Debussy
Trio for Flute, Viola and Harp.
May
9 & 10, 2002: Flute and Piccolo in Greensboro Symphony Orchestra Concert,
Greensboro Coliseum, Mahler’s 5th Symphony.
May
15, 2002: Melange Chamber Music Concert, Bermuda Village, Debussy Trio.
On
1 January 2002, I signed an exclusive publication agreement with Subito Music
Corp. (T. Presser, agents). All of my future and presently unpublished scores
will be published by Subito.
Recent
music publications of LOCKLAIR works:
Spring 2002, Nunc
Dimittis [from Magnificat and Nunc
Dimittis] Subito (Presser) (for SATB chorus and organ) – To be
sub-published in an internationally released Royal School of Church Music (UK)
choral volume celebrating the RSCM’s 75th Anniversary.
Spring
2002, With One Accord for solo
organ (in new, innovative organ method
from Wayne Leupold Editions/ E.C.
Schirmer, agents)
Recent recording of LOCKLAIR works:
DATE OF RELEASE TITLE LABEL ARTIST
Autumn
2001 Three Christmas Motets ACA
Digital (Albany) Atlanta Singers
(David
Brensinger, conductor)
(N.B. Several independently produced CD's lacking
national/international distribution were also produced during the time span of
this report, but are not listed.)
1. Recent WORLD
PREMIERES of LOCKLAIR compositions:
A DuBose Heyward Triptych (a three-movement choral
cycle for SSSAATTBB chorus, soloists, a
cappella) given its World Premiere by The Carolina Chamber Chorale (Timothy
Koch, Conductor). 2001
Piccolo Spoleto USA
2,
3, 6 June 2001 at the New Tabernacle Fourth Baptist Church, Charleston, SC [The Carolina Chamber Chorale commissioned
this work.]
The Æolian Sonata (three-movement sonata for
organ) given its World Premiere by David Arcus, organist.
2 June 2002, Duke Chapel, Duke University
[Commissioned by Duke University in celebration of the 70th Anniversary of the
original Æolian pipe organ in Duke Chapel], Durham, NC
2.
Selected RECENT known PERFORMANCES of LOCKLAIR compositions:
(N.B.
With published compositions, the below is but a sampling as I do not know the
majority of performances that my works receive. Performances of several works
listed below only became known to me after last year's report and are, thus,
included here.)
4
May 2001, 6 May 2001; St. Paul’s Choir (Robert Brewer, conductor); St. Paul’s
Chamber Music Society;
St.
Paul’s United Methodist Church; Houston, TX
2.
Selected RECENT known PERFORMANCES of LOCKLAIR compositions,
continued:
10
June 2001; The Vocal Arts Ensemble of Durham (Rodney Wynkoop, Conductor); Duke
University Chapel, Durham, NC
Vocapella (a Swiss choral ensemble); 16 June 2001, St. Laurentius, Bülach; 17 June 2001, Liebfrauenkirche, Zürich;
23
June 2001, Peterskirche, Basel; 24 June 2001, St. Anton,
Pratteln
29
June 2001; Choir of St. Paul’s United Methodist Church (Robert Brewer,
conductor); Washington Cathedral;
Washington,
DC
1
July 2001; Choir of St. Paul’s United
Methodist Church (Robert Brewer, conductor); St. Thomas Church Fifth Avenue;
New York, NY
17
June 2001 (at Association of Anglican Musicians’s National Convention); 17
October 2001; 24 February 2002;
The St.
Thomas Choir of Men and Boys (Gerre Hancock, Organist/Master of the
Choristers); St. Thomas Church; Fifth Avenue, New York City
28
February 2002, 2:00 P.M. (at ACDA [American Choral Director Association]
Regional Convention); The Bel Canto Company (David Pegg, Artistic Director);
Charlotte, NC
28
February 2002, 8:00 P.M.; The Bel Canto Company (David Pegg, Artistic
Director); Queens College, Dana Auditorium, Charlotte, NC
28
April 2002 ; Musica Orbium [a professional Canadian choral ensemble] (Patrick
Wedd, Director); Christ Cathedral; Montreal, Quebec, Canada
4,
6 May 2002; Bel Canto Company (David Pegg, Artistic Director) subscription
series concerts; Christ United Methodist Church; Greensboro, NC
Dream Steps (A Dance Suite for Flute, Viola and
Harp)
9
March 2002; Chamber Music at St. Peter’s Benefit Concert; St. Peter’s Chamber
Ensemble; St. Peter’s Episcopal Church; Charlotte, NC
Proclaim the Lord (Anthem for SATB choir, a cappella)
24
October 2001, 20 March 2002; Wake Forest University Concert Choir (Brian Gorelick, conductor); Brendle
Recital Hall; Wake Forest University; Winston-Salem, NC
6
May 2001 (Texas Premiere); St. Paul’s
Chamber Music Society (All-Locklair concert); St. Paul’s United Methodist
Church; Houston, TX
28
& 29 July 2001 (Mid-West Premiere); Summerfest Chamber Ensemble; Summerfest
2001 Chamber Music Festival; 2001 Subscription Series; St. Mary’s Episcopal
Church; Kansas City, MO
Phoenix (solo
organ version from PHOENIX FANFARE AND
PROCESSIONAL)
8
April 2001; David Williamson, organ; First Baptist Church; Winston-Salem, NC
17 June
2001; Margaret Mueller, organ; St. Paul’s Episcopal Church; Winston-Salem, NC
13 January 2002; John Mitchener, organ; St. Paul’s Episcopal
Church; Winston-Salem, NC
2. Selected RECENT
known PERFORMANCES of LOCKLAIR
compositions, continued:
PHOENIX Fanfare and Processional (for
brass, organ and percussion)
14
October 2001; Josh Peterson (organ) and brass; First United Presbyterian
Church; Belleville, IL
Sonata
da chiesa (1998) for flute and organ
24 June
2001; Julie Frye, flute; John Mueller,
organ; Organ Historical Society’s 2001 National Convention;
St.
Paul’s Episcopal Church; Winston-Salem, NC
22
September 2001, 21 February 2002; Kathryn Levy, flute; Dan Locklair, organ;
Wake Forest University; Wait Chapel; (Locklair
Plays Locklair); Winston-Salem, NC
Poems 'n Pairs (for SA and piano),
Cycle I
12 May
2002; Winston-Salem Children's Chorus (Barbara Beattie, Director; Earl Myers,
piano); Brendle Recital Hall (WFU); Winston-Salem, NC
Jubilo (A Prelude for Organ)
27 May
2001; Matthew M. Brown, organ; North Carolina School of the Arts;
Winston-Salem, NC
25
June 2001; Dan Locklair, organ; Organ Historical Society’s National Convention;
(All-Locklair program); Centenary United Methodist Church; Winston-Salem, NC
23
September 2001; Dan Locklair, organ; Wake Forest University; Wait Chapel (“Locklair Plays Locklair”);
Winston-Salem,
NC
Gloria (for SSAATTBB chorus, brass
octet and percussion)
8 July
2001 (at 2001 Region I Convention of the American Guild of Organists [AGO]);
Choral Art Society (Robert Russell, Conductor); Cathedral of Immaculate
Conception; Portland, ME
Create in Me a Clean Heart (Anthem for SATB choir
and organ)
11
November 2001; The Vocal Arts Ensemble (Rodney Wynkoop, conductor); Duke
University; Duke Chapel
Durham, NC
Visions
in the Haze (A Fantasy for Piano)
14
December 2001; Dale Backus, piano; Colorado Springs Fine Arts Center; Colorado
Springs, CO
Ayre
for the Dance (for organ)
25
June 2001; Dan Locklair, organ; Organ Historical Society’s National Convention;
(All-Locklair program); Centenary United Methodist Church; Winston-Salem, NC
Lumen
de Lumine (from A CHRISTMAS
PAIR)
20
January 2002; Plymouth Choir (Philip Brunelle, conductor); Plymouth
Congregational Church; Minneapolis, MN
2. Selected RECENT
known PERFORMANCES of LOCKLAIR
compositions, continued:
23
September 2001; Dan Locklair, organ; Wake Forest University; Wait Chapel (Locklair Plays Locklair);
Winston-Salem,
NC
25
June 2001; Dan Locklair, organ; Organ Historical Society’s National Convention;
(All-Locklair program); Centenary United Methodist Church; Winston-Salem, NC
23
September 2001; Dan Locklair, organ; Wake Forest University; Wait Chapel (Locklair Plays Locklair);
Winston-Salem,
NC
Constellations
(A Concerto for Percussion and Organ)
21
February 2001; Eugenie Burkett, percussion; Judy Bush Connelly, organ; Shenandoah
Conservatory; Goodson Recital Hall; Winchester, VA
Rubrics
(A Liturgical Suite for Organ in five movements) [N.B.
Rubrics is now such a solid
repertoire piece that it is impossible to know even a small number of the
performances of it world-wide. The listing below is but a sampling.]
11
February 2001; Marilyn Keiser, organ; Boston Avenue Church; Tulsa, OK
26
April 2001; Michael Regan, organ; Larchmont United Methodist Church; Norfolk,
VA
4
May 2001; Marilyn Keiser, organ; St. Paul’s United Methodist Church; Houston,
TX
20 May 2001; Jane Lynch, organ; St. Paul’s Episcopal
Church; Winston-Salem, NC
25
July 2001; Peter King, organ; Durham Cathedral; Durham,
England
7 August 2001; Richard
Elliott, organ; Salt Lake Tabernacle, Temple Square; Salt Lake City, UT
Rubrics (A Liturgical Suite for Organ in
five movements),
continued
23
September 2001; Dan Locklair, organ; Wake Forest University; Wait Chapel (Locklair Plays Locklair)
Winston-Salem,
NC
14 October 2001; Julia C. Callaway, organ; Vine Street
Christian Church; Nashville, TN
Featured
and discussed at 2001 McGill Summer Organ Academy; 16-26 July 2001; McGill
University
Montreal,
Canada
Windows of Comfort (Two Organbooks) [N.B.
Windows of Comfort, like Rubrics, is now such a solid repertoire
piece that it is impossible to know even a small number of the performances of
it world-wide. The listing below is but a sampling.]
22
April 2001; Kyle Johnson, organ; First Presbyterian Church; Warrenburg, MO
4
May 2001; Marilyn Keiser, organ; St. Paul’s United Methodist Church; Houston,
TX
12 June
2001; John Mitchener, organ; Miedzynarodowy Festiwal “Letnie Koncerty Organowe
‘2001’”; Akademia Muzyczna; Poland
2. Selected RECENT
known PERFORMANCES of LOCKLAIR
compositions, continued:
25
June 2001; Dan Locklair, organ; Organ Historical Society’s National Convention;
(All-Locklair program); Centenary United Methodist Church; Winston-Salem, NC
29 June
2001; John Mitchener, organ; Concerts
de la Collegiale ; Paris, France
29
October 2001; Douglas Cleveland, organ; First Presbyterian Church; Arlington Heights, IL
23 September 2001 ; Dan Locklair, organ;
Wake Forest University; Wait
Chapel (Locklair Plays Locklair);
Winston-Salem,
NC
9
November 2001; Marilyn Keiser, organ; 2001 Community Concert Series; First
Presbyterian Church;
Greensboro, NC
10
March 2002; John Mitchener, organ; Saint Paul’s Episcopal Church;
Winston-Salem, NC
O
Sacrum Convivium (Motet for SATB chorus, a
cappella)
6
May 2001; Choir of St. Paul’s Church (Robert Brewer, Conductor); St.
Paul’s United Methodist Church; Houston, TX
14 October 2001; Choir of Centenary Church (David Pegg,
Conductor); Centenary United Methodist Church;
Winston-Salem, NC
Pater
Noster (Motet for SATB chorus, a cappella)
24
February 2002; Choir of Men and Boys of St. Thomas Church (Gerre Hancock,
Master of the Choristers); St. Thomas Church Fifth Avenue; New York City
A
Spiritual Pair (Diptych for Organ)
6
May 2001; Steven Egler, organ; St. Luke’s Episcopal Church; Dixon, IL
Compact Disc Recordings:
“Viva Voce!” Two Mini-Operas by Handel. Carolina Baroque Period
Instrument Ensemble: Dale Higbee, music director
& recorders; Teresa Radomski, soprano; Richard Heard, tenor; John Williams,
bass-baritone; Daniel Hannemann, harpsichord; John Pruett & Mary Frances
Boyce, baroque violins; Doris Powers, baroque viola; Holly
Maurer, viola da ganba. White Sound
Studio-704-528-4810 (released May, 2002)
Bach and Handel: Baroque Masters. Carolina Baroque Period
Instrument Ensemble: Dale Higbee, music director
& recorders; Teresa Radomski, soprano; Daniel Hannemann, harpsichord; John
Pruett, baroque violin; Holly Maurer,
viola da ganba. White Sound
Studio-704-528-4810 (released June,
2002)
Radomski, Teresa - continued
Concert: Bellini 200th Birthday
Bash! Arias and scenes from Vinceno Bellini’s operas Las
Straniera, Il Pirata, I Puritani, La sonnambula, Norma. Organization of the entire
event, including rehearsing student ensembles and performing solos, duets,
trios with Richard Heard; tenor, Laura Ingram-Moore, soprano; Peter Kairoff,
piano; WFU Student Chorus. Brendle
Recital Hall; November 3, 2001
Concert: Bach and Handel – Baroque Masters. Chapel, St. John’s
Lutheran Church; Salisbury (NC);
December 9, 2001
Concert: Sacred and Secular Music by German
Lutheran Composers. Soloist
with Carolina Baroque Period Instrument Ensemble. St. James Lutheran Church; Concord, NC;
January 20, 2002
Concert: The Music of Samuel Adler. Performance of Three
Psalms, with Louis Goldstein, piano;
Wait Chapel; February 7,
2002
Concert: Viva Voce! Two-Mini-Operas by
Handel. With
Carolina Baroque Period Instrument Ensemble; Richard Heard, tenor; John
Williams, baritone; Acis and Galatea (abridged) and Apollo e Dafne (complete);
Chapel, St. John’s Lutheran Church; Salisbury (NC), February 24, 2002
Concert: Viva Voce! Two-Mini-Operas by
Handel. With
Carolina Baroque Period Instrument Ensemble; Richard Heard, tenor; John
Williams, bass-baritone; Acis and Galatea (abridged) and Apollo e
Dafne (complete); Brendle Recital Hall; February 28, 2002
Concert: Bach and Handel – Baroque Masters. Soloist (arias and
cantatas) with Carolina Baroque Period Instrument Ensemble; Ebenezer Lutheran
Church; Columbia, SC; April 14, 2002
Concert: Bach and Handel – Baroque Masters. Soloist (arias and
cantatas) with Carolina Baroque Period Instrument Ensemble; Lincoln Cultural
Center; Lincolnton, NC; April 21, 2002
Concert: Bach – Music to Challenge the Intellect and
Touch the Heart. With
Carolina Baroque Period Instrument Ensemble; Lee Morgan, Alto; Richard Heard,
tenor; John Williams, bass-baritone; Cantata No. 21 “Ich hatte viel Bekümmernis” Cantata No. 182 „Himmelskönig, sei
Willkommen“; Chapel, St. John’s Lutheran Church; Salisbury (NC),
April 28, 2002
Carter, Stewart
“An Italianate oratorio latino for the Electoral Court
of Mainz: Daniel Bollius’ Rapraesentatio on
the Nativity of John the Baptist.” Society for Seventeenth-Century Music,
Princeton, NJ, April 2002.
“From Trombone Choir to Church Band:
Brass Instruments in Communities of the Moravian Brethren in America.”
Symposium ‘German Moravians in an
Atlantic World,’ Winston-Salem, NC, April 2002.
“Benedetto da Maiano’s
Coronation Group for Alfonso I: Musical Instruments in Stone.” American
Musicological Society, Southeast Chapter, East Carolina University, Greenville,
NC, September 2001; and at Seventeenth Annual Early Brass Festival,
Winston-Salem, NC, July 2001.
Goldstein, Louis
Session Chair during Society for American Music National Convention, March 6-10, 2002, Lexington, KY, Session 7b: “Once Is Not Enough.”
Kairoff, Peter
Chaired session, “Teaching
the Eighteenth Century”, meeting of the American Society of Eighteenth Century
Studies, Colorado Springs, CO April 4,
2002.
Adjudicator: National Association of Teachers of
Singing (N.A.T.S.); Musical Theatre Division (College Women);
North Carolina District Auditions, UNC-Greensboro,
February 16, 2002
III. Editorships,
Offices and Consultancies
Borwick,
Susan
Reader: National
Women’s Studies Association Journal
Editorial Advisory Board: Making Sense of Women’s Lives: An Introduction to Women’s Studies,
Collegiate Press
Chair:
Leadership & Mentorship Committee, Program Administration & Development
Council, National Women’s Studies Association
Chair:
The National Women’s Studies Association Contemporary Curriculum Transformation
Project: Grappling with Our Blind Spots. Year One (2002-2003): The Transformative
Significance of Women of Color to Women’s Studies Curricula
Executive
Editor, Historic Brass Society Journal.
Editorial
Board, Journal of Seventeenth-Century
Music
Editorial
Board, Journal of the American Musical
Instrument Society
Board of Directors, Historic Brass Society
Board of Governors, American Musical Instrument
Society
Memberships:
The Guitar Foundation of America
The American String Teacher’s Association
The American Association of University Professors
Advisory Board: American
Beethoven Society
Program Advisory Committee: Winston-Salem Symphony
(6 hours)
Secrest Artists
Series Advisory Committee (6 hours)
Contributing Editor,
Center for Voice Disorders of Wake Forest University; Website: http://www.wfubmc.edu/voice
Borwick, Susan
|
Topic: |
“Amy
Beach (1867-1944), First Woman of American Composition: 129 Songs in Critical
Edition” |
|
Agency: |
The National Endowment for the Humanities |
|
$ Requested: |
40,000.00 |
|
$ Funded: |
TBA
Dec. 2002 |
Carrasco, Jacqueline
|
Topic: |
Cygnus
co-authored grant proposal to commission a new work from composer Akemi Naito |
|
Agency: |
Chamber
Music America |
|
$ Requested: |
$9000. |
|
$ Funded: |
$9000. |
Levy, Kathryn
|
Topic: |
CD
Recording |
|
Agency: |
WS
Arts Council |
|
$ Requested: |
$3,000.00 |
|
$ Funded: |
$3,000.00 |