The
Mexican Revolution 1910-1917![]()
Porfiro Diaz |
Francisco Madero |
Emiliano Zapata |
Poncho Villa |
photos taken from la Revolucion de Mexico
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The Revolution and the Muralists The times were right for revolution because workers were being exploited and peasants were fed up with the favoritism being shown to the upper-class citizens. In 1910 Francisco Madero lead a political campaign to overthrow the current Mexican leader, Porfirio Diaz. With the help of the leaders of the guerrilla bands around the country, Madero forced Diaz to resign and he took over the presidency. These guerrilla leaders included Pancho Villa and Emiliano Zapata. Madero was soon executed by Victoriano Huerta, another revolutionary, because his claims of bettering life for the peasant and workers were insincere. Total chaos erupted and all the revolutionaries fought among themselves. Emilio Zapata was a militant radical who used violence as a way to reach his goals. He sought basic reforms and wanted land over political power. His beneficiaries were peasants. Obregon was not a radical and wanted to create a more capitalist society. THE MURALS: The Mexican Revolution gave way to a mural renaissance. The Mexican muralists transformed art to make it more accessible to the public. The Mexican muralists primary concern was for a "public and accessible visual dialogue with the Mexican people."2 Mexican muralism represents a significant challenge to the commonly accepted view of the role and position of the artist in Western society. Western artists seem to be separated, hermetic, isolated, self expression, while Mexican muralists are in touch with the Mexican society and its social problems. The muralist played a central role in the cultural and social life of the country following the 1910-1917 nationalist revolution. These artists grew up during the period of 'porfiricto' named for the pre-Revolutionary society under the dictatorship of Porfirio Diaz. This society was marked by enormous divisions of wealth, property, and power. All three muralists varied in "political beliefs, personal temperament, and artistic style"6 The murals are pictorial narratives involving historical topics. The murals "express a community of national experience."3 The Murals are not bought and sold but commissioned as permanent fixture in some of the most important buildings in Mexico. The murals' purpose is public art; they were painted for all to see not hidden away for the benefit of a few. Started in the beginning of the 1920's during the administration of General Obregon. The most important of the Mexican muralists were Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueiros. They dominated the movement and defined the essence for which it stood. The murals represented the social ideas of the revolution. The Mexican muralist painted all over the world, therefore their work did not only impact Mexicans but "contemporary artists everywhere have witnessed the amazing spectacle of the modern renaissance of mural painting in Mexico, and they have been deeply moved by its profound artistry and meaning."4 Siqueiros stated that the goal of mural painting was to, "direct itself to the native races humiliated for centuries; to the officers made into hangmen by their officers, to the peasants and workers scourged by the rich"5. |
Timeline of the Mexican Revolution 9/16/1810-Miguel Hidalgo
rebels against colonial Spain. |
The Mexican Muralists: